Mark Sheinkman

Mark Sheinkman

Mark Sheinkman: Paintings

Mark Sheinkman Mark Sheinkman Mark Sheinkman Mark Sheinkman Mark Sheinkman Mark Sheinkman Mark Sheinkman Mark Sheinkman


Mark Sheinkman: Exhibition 2011

Mark Sheinkman Mark Sheinkman Mark Sheinkman Mark Sheinkman Mark Sheinkman

 

Mark Sheinkman: Exhibition Views 2011

Mark Sheinkman Mark Sheinkman


Mark Sheinkman: Works On Paper

Mark Sheinkman Mark Sheinkman Mark Sheinkman

 

Mark Sheinkman: Biography

1963 Born in New York City

 

Education:

1985 Princeton University, B.A.

 

Mark Sheinkman: Solo Exhibitions

2009

Museum Gegenstandsfreier Kunst, Otterndorf, Germany (catalogue)

Von Lintel Gallery, New York

2008

Grand Rapids Art Museum, Grand Rapids, Michigan

Fruehsorge Contemporary Drawings, Berlin

2007

Von Lintel Gallery, New York (catalogue)

Gallery Joe, Philadelphia

2006

Von Lintel Gallery, New York

2005

Kemper Museum of Contemporary Art, Kansas City, Missouri (catalogue)

Fruehsorge Galerie, Berlin

osp Gallery, Boston, Massachusetts

Gallery Sora, Naha, Japan

2004

Von Lintel Gallery, New York

2003

Gallery Sora, Naha, Japan

2002

Von Lintel Gallery, New York

2001

Von Lintel and Nusser, New York

2000

Lannan Foundation, Santa Fe, New Mexico

1999

Galerie Von Lintel & Nusser, Munich

1998

Thomas Healy Gallery, New York

S65 Gallery, Aalst, Belgium

1997

Galerie Thomas Von Lintel, Munich

Berggruen and Zevi , London

Studio Trisorio, Naples

Lawing Gallery, Houston

1996

Morris-Healy Gallery, New York

1995

Gina Fiore Salon, New York

1993

Information Gallery, New York

1989

Paula Allen Gallery, New York

 

Mark Sheinkman: Selected Group Exhibitions

2009

New York/New Drawings, 1946 - 2007, Museo de Arte Contemporaneo Esteban Vicente, Segovia, Spain (catalogue)

Curvilinear, Gallery Joe, Philadelphia

On, Of or About: 50 paper works, Texas State University Gallery, San Marcos, Texas

2008

Modern and Contemporary Art from the AMAM Collection, Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio

Drawings from the Permanent Collection, Figge Art Museum, Davenport, Iowa

Delinineation, Holly Johnson Gallery, Dallas, Texas

2007

Monoprints, Pace Prints, New York

Leaded: The Materiality and Metamorphosis of Graphite, Joel and Lila Harnett Museum of Art, University of Richmond, Virginia. Traveling to Bedford Gallery at the Dean Lesher Regional Center for the Arts, Walnut Creek, CA; Western Gallery, Western Washington University, Bellingham, WA; Baum Gallery of Fine Art, University of Central Arkansas, Conway, AR; Memorial Art Gallery, University of Rochester, NY; Yellowstone Art Museum, Billings, MT, Palmer Museum of Art, The Pennsylvania State University, University Park, PA

New Prints 2007/Spring, International Print Center, New York

2006

Exquisite Abstraction, Whitespace Gallery, Atlanta

Hauptsache, Fruehsorge Galerie, Berlin

On Line: Contemporary Drawing, University Art Gallery, Sonoma State University, Rohnert Park, California

Action Precision, Lennon Weinberg Gallery, New York

Gridlock, Gallery Joe, Philadelphia

Conversations, Ambrosino Gallery, Miami

2005

Patterns and Grids, Pace Prints, New York

The Mark of Minimalism, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire

New Editions, Pace Prints, New York

2004

Moving Outlines, Contemporary Museum, Baltimore

Minimal Forms, Galerie Dionisi, West Hollywood, California

Transit: Abstracting the System, City Gallery at Chastain, Atlanta

2003

Recent Acquisitions: Works on Paper, Metropolitan Museum of Art, New York

Comme ça, Houldsworth, London

Graphite and Paper, Gallery Joe, Philadelphia

No Chaser, Post, Los Angeles

Paper, Hosfelt Gallery, San Francisco

2002

Zebedee Jones and Mark Sheinkman, Houldsworth, London

Eye in the Sky: Visions of Contemporary Art from the Ackland Collection, Ackland Art Museum, Chapel Hill, North Carolina

Color, Sandroni Rey Gallery, Venice, California

The Fall Line: Intuition and Necessity in Contemporary Abstract Drawing, osp gallery, Boston

Zenroxy, Von Lintel Gallery, New York

2001

It's a wild party and we are having a great time, Paul Morris Gallery, New York

Concentrations IV: Drawings from the Collection of The Old Jail Art Center, The Old Jail Art Art Center, Albany, Texas

I Love NY Von Lintel Gallery, New York

Affinities, Anita Friedman Gallery, New York

Re: Drawing, Kenise Barnes Gallery, Larchmont, New York

Layered, Anita Friedman Gallery, New York

Hot, Von Lintel and Nusser, New York

2000

A Decade of Collecting: Recent Acquisitions of Prints and Drawings 1990-2000, Fogg Art Museum, Harvard University, Cambridge, Massachusetts

Black and White, Anita Friedman Gallery, New York

1999

Die Kunst der Linie-Möglichkeiten des Graphischen, Landesgalerie Oberösterreich, Linz, Austria (catalogue)

Mark Sheinkman, John Zinsser, Art Resources Transfer, New York

One by One; Painting versus Drawing, Galerie Von Lintel & Nusser, Munich

Group Exhibition, Art Resources Transfer, New York

1998

Large-scale Drawings from the Collection of Wynn Kramarsky, The Aldrich Museum of Contemporary Art,Ridgefield,Connecticut (catalogue)

Identity Revealed: Meaning and Message in Contemporary Art, Ackland Art Museum, Chapel Hill, North Carolina

Art on Paper, Weatherspoon Art Gallery, Greensboro, North Carolina

Einblick, Galerie Thomas Von Lintel, Munich

Skin Deep, 123 Watts Street Gallery, New York

Drawings, Graham Gallery, New York

1997

Four Americans, Figure Gallery, Turin, Italy

Recurrence and the Work of Art, Gallery Korea, New York

Sommer, Galerie Thomas Von Lintel, Munich

Drawing is Another Kind of Language: Recent American Drawings from a New York Private Collection, Arthur M. Sackler Art Museum, Harvard University, Cambridge, Massachusetts; Traveled to Kupferstichkabinett, Academy of Fine Arts, Vienna, Austria, Fonds Regional d'Art Contemporian de Picardie / Musee de Picardie, Amiens, France, Kunstmuseum Winterthur, Winterthur, Switzerland, Parrish Art Museum, Southampton, New York, Kunst-Museum Ahlen, Ahlen, Germany, Lyman Allyn Art Museum, New London, Connecticut, Akademie der Kunste, Berlin, Germany, Block Museum of

Art, Northwester University, Evanston, Illinois, The Contemporary Museum, Honolulu, Hawaii (catalogue)

Emerging Radix Gallery, New York

Graphite on Paper, Galerie Thomas Von Lintel, Munich

1996

The Rational World, Kohn Turner Gallery, Los Angeles

Works On Paper, Baldwin Gallery, Aspen, Colorado

On / In / Through, Morris-Healy Gallery, New York

Four Collectors, Century Club, New York

Size Matters, Special K Exhibitions, West Hollywood, California

On Paper II, Schmidt Contemporary Art, St. Louis, Missouri

Works on Paper, Curt Marcus Gallery, New York

An American Eye, Gallerie le Carré, Lille, France

1995

Works on Paper, The Berkshire Museum, Pittsfield, Massachusetts (catalogue)

Fact, Artrax Gallery, New York

1994

The New York Collection, The Albright-Knox Museum, Buffalo, New York

modus operandi, Leonora Vega Gallery, New York

1993

Big Art, Billboard installation in downtown Atlanta (catalogue)

1992

XXXIII Exhibition, The Parrish Art Museum, Southampton, New York

More Than a Group Show, Art-in-General, New York

 

 

Mark Sheinkman in Museum Collections

Museum of Modern Art, New York

Metropolitan Museum of Art, New York

Whitney Museum of American Art, New York

National Gallery of Art, Washington, DC

Museum of Fine Arts, Houston

Cleveland Museum of Art, Cleveland, Ohio

Grand Rapids Art Museum, Grand Rapids, Michigan

Fogg Art Museum, Harvard University, Cambridge, Massachusetts

Yale University Art Gallery, New Haven, Connecticut

Weatherspoon Art Gallery, Greensboro, North Carolina

Hood Museum of Art, Dartmouth College, Hanover, New Hampshire

Ackland Art Museum, Chapel Hill, North Carolina

Davison Art Center, Wesleyan University, Middletown, Connecticut

Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio

Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco

Figge Art Museum, Davenport, Iowa

Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, Nebraska

St. Louis University Museum of Art, St. Louis, Missouri

The Old Jail Art Center, Albany, Texas

Museum Gegenstandsfreier Kunst, Otterndorf, Germany

Bibliotheque Nationale, Paris

 

Mark Sheinkman: Selected Reviews and Publications

2009

Schick, Dr. Ulrike, "When Drawing Becomes Painting While Representing the Ephemeral", Gegendstandfreie Kunst Museum catalogue, 2009

Isham, Michelle, "'Leaded' makes its mark", Centre Daily Times, September 18, 2009

Finch, Elizabeth, "New York/New Drawings, 1946 - 2007", Exhibition catalogue, Museo d'arte contemporaneo Esteban Vincente, 2009

Lafont, Isabel, "Una privilegiada ventana con vistas a las vanguardias", El Pais, January 28, 2009

Rafferty, Rebecca, "Making marks," City Newspaper, January 28, 2009

Bauer-Vonderwarft, Zacharias, "Bei Frühsorge: Mark Sheinkman hämmert im Hirn," Die Welt, January 24, 2009

2008

Reese, Dr. Elizabeth B., "Getting creative with the common," Corpus Christi Caller-Times, December 4, 2008

Cash, Stephanie, "Mark Sheinkman at Von Lintel," Art in America, March 2008

Demuth, Gary, "More than just drawing," Salina Journal, March 28, 2008

Kozlowski, Andy, "Leaded," Art Papers, January/February 2008

2007

Amy, Michael, "Mark Sheinkman: Drawing with Light," Exhibition catalogue, 2007

Taylor, Robert, "Pencil me in for current Bedford exhibit," Contra Costa Times, October 25, 2007

Giovannini, Joseph, "Bold Gesture in New York," Architectural Digest, April, 2007

Newhall, Edith, "Extending Boundaries of Drawing: Mark Sheinkman and Annabel Daou exhibit at Gallery Joe," The Philadelphia Inquirer, January 12, 2007

Fallon, Roberta, "Editor's Pick: Mark Sheinkman Drawings, Annabel Daou Book of Hours," Philadelphia Weekly, January 17, 2007

2006

Fox, Catherine, "Exquisite Abstraction show at White Space is Smart and Satisfying", The Atlanta Journal-Constitution, December 31, 2006

Newhall, Edith, "Gridlock minus Road Rage," The Philadelphia Inquirer, July 7, 2006

2005

Keller, Maximilian, "Aus den Galerien- Galerie Fruehsorge, Mark Sheinkman", Die Welt, May 23, 2005

Kaufman, Gina, "On Your Mark, The Kemper gets physical," Pitch Weekly, March 16, 2005

Keller, Maximilian, "Aus den Galerien- Galerie Fruehsorge, Mark Sheinkman", Die Welt, May 23, 2005

Kaufman, Gina, "On Your Mark, The Kemper gets physical," Pitch Weekly, March 16, 2005

Thorson, Alice, " Sheinkman's abstracts embrace both logic and enigma", The Kansas City Star, February 13, 2005

Williamson, Lisha, "Mark Sheinkman's Way." University News, February 7,2005

Edelman, Robert, " Mark Sheinkman: Between Gesture and Void", Kemper Museum Catalogue, January, 2005

Miller, Andrew, "Line 'Em Up, Mark Sheinkman works to the point of abstraction", The Pitch, January 14, 2005

2004

Cullum, Jerry, "Intriguing interjections in a century-long dialogue", Atlanta Journal-Constitution, May 30, 2004

2003

Renzi, Jen, "Blue Chip," Interior Design, August, 2003

Sherman, Mary, "Open Studio Press tries new `Line' of work," The Boston Herald, January 12, 2003

McQuaide, Cate, "Meticulous Meditations on the Abstract," The Boston Globe, January 3, 2003

2002

Johnson, Ken, "Art Guide, Zenroxy," The New York Times, December 20, 2002

Gonzales, Manuel and Forde, J.A., "Unframed: Artists Respond to AIDS," 2002

2001

Johnson, Ken, "Art Guide, Mark Sheinkman," The New York Times, March 23, 2001

Sauerbier, S.D. "Zeichnen-Zeichen zeigen," minimal-concept Zeichenhafte Sprachen im Raum. 2001

1999

Landi, Ann, "Drawing Is Another Kind of Language,"Artnews, December 1999

Sheets, Hillarie, "The Syntax of Drawing, From Old and New Alike," Newsday, October 1,1999

1998

Amy, Michael, " Mark Sheinkman at Thomas Healy" Art in America, December 1998

Turner, Grady T., "Up Now, Mark Sheinkman," Artnews, April, 1998

"Goings On About Town", The New Yorker, April 20, 1998

Glueck, Grace, "Art Guide, Mark Sheinkman," The New York Times, March 27, 1998

Nahas, Dominique, "Mark Sheinkman," Review Magazine, March 15, 1998, Volume 3, Number 12

Ebony, David, " Mark Sheinkman at Morris Healy, Artnet.com, March, 1998

Zimmer, William, "Matters of Scale, and of Nostalgia Too" The New York Times, March 8, 1998

Glueck, Grace, "Large Scale Drawings from the Collection of Wynn Kramarsky," The New York Times, April 24, 1998

1997

Landi, Ann, "On the Edge, Mark Sheinkman, The Eraser," Art News, September 1997

Mehring, Christine, "Drawing is another kind of language: recent American drawings from a New York Private collection," catalog, 1997

Trione, Vincenzo, "Sheinkman, poetic obsession," Il Mattino, July 26, 1997

Landi, Ann, "Site Specifics," Art News, April 1997, p.118

Athineos, Doris, "When Kramarsky Talks Collectors Listen: What kind of Art Does the Man Who Sold the World's Most Expensive Painting Collect?" Forbes, November 18, 1997

Paparoni, Dimetrio, "Redefined Abstraction," Tema Celeste, Autumn 1997

1996

Brennan, Michael, "Mark Sheinkman at Morris Healy," Artnet.com, Autumn 1996

Melrod, George, "Special Report: Contemporary Art - New York City," Art and Antiques, Summer 1996

Schmerler, Sarah, " Mark Sheinkman," Time Out New York, June 26, 1996

1995

Shimony, Jonathan, "New York Art Scene II," art vision, Winter 1995

 

 

 

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