1963 Born in New York City
Education:
1985 Princeton University, B.A.
Museum Gegenstandsfreier Kunst, Otterndorf, Germany (catalogue)
Von Lintel Gallery, New York
Grand Rapids Art Museum, Grand Rapids, Michigan
Fruehsorge Contemporary Drawings, Berlin
Von Lintel Gallery, New York (catalogue)
Gallery Joe, Philadelphia
Von Lintel Gallery, New York
Kemper Museum of Contemporary Art, Kansas City, Missouri (catalogue)
Fruehsorge Galerie, Berlin
osp Gallery, Boston, Massachusetts
Gallery Sora, Naha, Japan
Von Lintel Gallery, New York
Gallery Sora, Naha, Japan
Von Lintel Gallery, New York
Von Lintel and Nusser, New York
Lannan Foundation, Santa Fe, New Mexico
Galerie Von Lintel & Nusser, Munich
Thomas Healy Gallery, New York
S65 Gallery, Aalst, Belgium
Galerie Thomas Von Lintel, Munich
Berggruen and Zevi , London
Studio Trisorio, Naples
Lawing Gallery, Houston
Morris-Healy Gallery, New York
Gina Fiore Salon, New York
Information Gallery, New York
Paula Allen Gallery, New York
New York/New Drawings, 1946 - 2007, Museo de Arte Contemporaneo Esteban Vicente, Segovia, Spain (catalogue)
Curvilinear, Gallery Joe, Philadelphia
On, Of or About: 50 paper works, Texas State University Gallery, San Marcos, Texas
Modern and Contemporary Art from the AMAM Collection, Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio
Drawings from the Permanent Collection, Figge Art Museum, Davenport, Iowa
Delinineation, Holly Johnson Gallery, Dallas, Texas
Monoprints, Pace Prints, New York
Leaded: The Materiality and Metamorphosis of Graphite, Joel and Lila Harnett Museum of Art, University of Richmond, Virginia. Traveling to Bedford Gallery at the Dean Lesher Regional Center for the Arts, Walnut Creek, CA; Western Gallery, Western Washington University, Bellingham, WA; Baum Gallery of Fine Art, University of Central Arkansas, Conway, AR; Memorial Art Gallery, University of Rochester, NY; Yellowstone Art Museum, Billings, MT, Palmer Museum of Art, The Pennsylvania State University, University Park, PA
New Prints 2007/Spring, International Print Center, New York
Exquisite Abstraction, Whitespace Gallery, Atlanta
Hauptsache, Fruehsorge Galerie, Berlin
On Line: Contemporary Drawing, University Art Gallery, Sonoma State University, Rohnert Park, California
Action Precision, Lennon Weinberg Gallery, New York
Gridlock, Gallery Joe, Philadelphia
Conversations, Ambrosino Gallery, Miami
Patterns and Grids, Pace Prints, New York
The Mark of Minimalism, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire
New Editions, Pace Prints, New York
Moving Outlines, Contemporary Museum, Baltimore
Minimal Forms, Galerie Dionisi, West Hollywood, California
Transit: Abstracting the System, City Gallery at Chastain, Atlanta
Recent Acquisitions: Works on Paper, Metropolitan Museum of Art, New York
Comme ça, Houldsworth, London
Graphite and Paper, Gallery Joe, Philadelphia
No Chaser, Post, Los Angeles
Paper, Hosfelt Gallery, San Francisco
Zebedee Jones and Mark Sheinkman, Houldsworth, London
Eye in the Sky: Visions of Contemporary Art from the Ackland Collection, Ackland Art Museum, Chapel Hill, North Carolina
Color, Sandroni Rey Gallery, Venice, California
The Fall Line: Intuition and Necessity in Contemporary Abstract Drawing, osp gallery, Boston
Zenroxy, Von Lintel Gallery, New York
It's a wild party and we are having a great time, Paul Morris Gallery, New York
Concentrations IV: Drawings from the Collection of The Old Jail Art Center, The Old Jail Art Art Center, Albany, Texas
I Love NY Von Lintel Gallery, New York
Affinities, Anita Friedman Gallery, New York
Re: Drawing, Kenise Barnes Gallery, Larchmont, New York
Layered, Anita Friedman Gallery, New York
Hot, Von Lintel and Nusser, New York
A Decade of Collecting: Recent Acquisitions of Prints and Drawings 1990-2000, Fogg Art Museum, Harvard University, Cambridge, Massachusetts
Black and White, Anita Friedman Gallery, New York
Die Kunst der Linie-Möglichkeiten des Graphischen, Landesgalerie Oberösterreich, Linz, Austria (catalogue)
Mark Sheinkman, John Zinsser, Art Resources Transfer, New York
One by One; Painting versus Drawing, Galerie Von Lintel & Nusser, Munich
Group Exhibition, Art Resources Transfer, New York
Large-scale Drawings from the Collection of Wynn Kramarsky, The Aldrich Museum of Contemporary Art,Ridgefield,Connecticut (catalogue)
Identity Revealed: Meaning and Message in Contemporary Art, Ackland Art Museum, Chapel Hill, North Carolina
Art on Paper, Weatherspoon Art Gallery, Greensboro, North Carolina
Einblick, Galerie Thomas Von Lintel, Munich
Skin Deep, 123 Watts Street Gallery, New York
Drawings, Graham Gallery, New York
Four Americans, Figure Gallery, Turin, Italy
Recurrence and the Work of Art, Gallery Korea, New York
Sommer, Galerie Thomas Von Lintel, Munich
Drawing is Another Kind of Language: Recent American Drawings from a New York Private Collection, Arthur M. Sackler Art Museum, Harvard University, Cambridge, Massachusetts; Traveled to Kupferstichkabinett, Academy of Fine Arts, Vienna, Austria, Fonds Regional d'Art Contemporian de Picardie / Musee de Picardie, Amiens, France, Kunstmuseum Winterthur, Winterthur, Switzerland, Parrish Art Museum, Southampton, New York, Kunst-Museum Ahlen, Ahlen, Germany, Lyman Allyn Art Museum, New London, Connecticut, Akademie der Kunste, Berlin, Germany, Block Museum of
Art, Northwester University, Evanston, Illinois, The Contemporary Museum, Honolulu, Hawaii (catalogue)
Emerging Radix Gallery, New York
Graphite on Paper, Galerie Thomas Von Lintel, Munich
The Rational World, Kohn Turner Gallery, Los Angeles
Works On Paper, Baldwin Gallery, Aspen, Colorado
On / In / Through, Morris-Healy Gallery, New York
Four Collectors, Century Club, New York
Size Matters, Special K Exhibitions, West Hollywood, California
On Paper II, Schmidt Contemporary Art, St. Louis, Missouri
Works on Paper, Curt Marcus Gallery, New York
An American Eye, Gallerie le Carré, Lille, France
Works on Paper, The Berkshire Museum, Pittsfield, Massachusetts (catalogue)
Fact, Artrax Gallery, New York
The New York Collection, The Albright-Knox Museum, Buffalo, New York
modus operandi, Leonora Vega Gallery, New York
Big Art, Billboard installation in downtown Atlanta (catalogue)
XXXIII Exhibition, The Parrish Art Museum, Southampton, New York
More Than a Group Show, Art-in-General, New York
Museum of Modern Art, New York
Metropolitan Museum of Art, New York
Whitney Museum of American Art, New York
National Gallery of Art, Washington, DC
Museum of Fine Arts, Houston
Cleveland Museum of Art, Cleveland, Ohio
Grand Rapids Art Museum, Grand Rapids, Michigan
Fogg Art Museum, Harvard University, Cambridge, Massachusetts
Yale University Art Gallery, New Haven, Connecticut
Weatherspoon Art Gallery, Greensboro, North Carolina
Hood Museum of Art, Dartmouth College, Hanover, New Hampshire
Ackland Art Museum, Chapel Hill, North Carolina
Davison Art Center, Wesleyan University, Middletown, Connecticut
Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio
Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco
Figge Art Museum, Davenport, Iowa
Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, Nebraska
St. Louis University Museum of Art, St. Louis, Missouri
The Old Jail Art Center, Albany, Texas
Museum Gegenstandsfreier Kunst, Otterndorf, Germany
Bibliotheque Nationale, Paris
Schick, Dr. Ulrike, "When Drawing Becomes Painting While Representing the Ephemeral", Gegendstandfreie Kunst Museum catalogue, 2009
Isham, Michelle, "'Leaded' makes its mark", Centre Daily Times, September 18, 2009
Finch, Elizabeth, "New York/New Drawings, 1946 - 2007", Exhibition catalogue, Museo d'arte contemporaneo Esteban Vincente, 2009
Lafont, Isabel, "Una privilegiada ventana con vistas a las vanguardias", El Pais, January 28, 2009
Rafferty, Rebecca, "Making marks," City Newspaper, January 28, 2009
Bauer-Vonderwarft, Zacharias, "Bei Frühsorge: Mark Sheinkman hämmert im Hirn," Die Welt, January 24, 2009
Reese, Dr. Elizabeth B., "Getting creative with the common," Corpus Christi Caller-Times, December 4, 2008
Cash, Stephanie, "Mark Sheinkman at Von Lintel," Art in America, March 2008
Demuth, Gary, "More than just drawing," Salina Journal, March 28, 2008
Kozlowski, Andy, "Leaded," Art Papers, January/February 2008
Amy, Michael, "Mark Sheinkman: Drawing with Light," Exhibition catalogue, 2007
Taylor, Robert, "Pencil me in for current Bedford exhibit," Contra Costa Times, October 25, 2007
Giovannini, Joseph, "Bold Gesture in New York," Architectural Digest, April, 2007
Newhall, Edith, "Extending Boundaries of Drawing: Mark Sheinkman and Annabel Daou exhibit at Gallery Joe," The Philadelphia Inquirer, January 12, 2007
Fallon, Roberta, "Editor's Pick: Mark Sheinkman Drawings, Annabel Daou Book of Hours," Philadelphia Weekly, January 17, 2007
Fox, Catherine, "Exquisite Abstraction show at White Space is Smart and Satisfying", The Atlanta Journal-Constitution, December 31, 2006
Newhall, Edith, "Gridlock minus Road Rage," The Philadelphia Inquirer, July 7, 2006
Keller, Maximilian, "Aus den Galerien- Galerie Fruehsorge, Mark Sheinkman", Die Welt, May 23, 2005
Kaufman, Gina, "On Your Mark, The Kemper gets physical," Pitch Weekly, March 16, 2005
Keller, Maximilian, "Aus den Galerien- Galerie Fruehsorge, Mark Sheinkman", Die Welt, May 23, 2005
Kaufman, Gina, "On Your Mark, The Kemper gets physical," Pitch Weekly, March 16, 2005
Thorson, Alice, " Sheinkman's abstracts embrace both logic and enigma", The Kansas City Star, February 13, 2005
Williamson, Lisha, "Mark Sheinkman's Way." University News, February 7,2005
Edelman, Robert, " Mark Sheinkman: Between Gesture and Void", Kemper Museum Catalogue, January, 2005
Miller, Andrew, "Line 'Em Up, Mark Sheinkman works to the point of abstraction", The Pitch, January 14, 2005
Cullum, Jerry, "Intriguing interjections in a century-long dialogue", Atlanta Journal-Constitution, May 30, 2004
Renzi, Jen, "Blue Chip," Interior Design, August, 2003
Sherman, Mary, "Open Studio Press tries new `Line' of work," The Boston Herald, January 12, 2003
McQuaide, Cate, "Meticulous Meditations on the Abstract," The Boston Globe, January 3, 2003
Johnson, Ken, "Art Guide, Zenroxy," The New York Times, December 20, 2002
Gonzales, Manuel and Forde, J.A., "Unframed: Artists Respond to AIDS," 2002
Johnson, Ken, "Art Guide, Mark Sheinkman," The New York Times, March 23, 2001
Sauerbier, S.D. "Zeichnen-Zeichen zeigen," minimal-concept Zeichenhafte Sprachen im Raum. 2001
Landi, Ann, "Drawing Is Another Kind of Language,"Artnews, December 1999
Sheets, Hillarie, "The Syntax of Drawing, From Old and New Alike," Newsday, October 1,1999
Amy, Michael, " Mark Sheinkman at Thomas Healy" Art in America, December 1998
Turner, Grady T., "Up Now, Mark Sheinkman," Artnews, April, 1998
"Goings On About Town", The New Yorker, April 20, 1998
Glueck, Grace, "Art Guide, Mark Sheinkman," The New York Times, March 27, 1998
Nahas, Dominique, "Mark Sheinkman," Review Magazine, March 15, 1998, Volume 3, Number 12
Ebony, David, " Mark Sheinkman at Morris Healy, Artnet.com, March, 1998
Zimmer, William, "Matters of Scale, and of Nostalgia Too" The New York Times, March 8, 1998
Glueck, Grace, "Large Scale Drawings from the Collection of Wynn Kramarsky," The New York Times, April 24, 1998
Landi, Ann, "On the Edge, Mark Sheinkman, The Eraser," Art News, September 1997
Mehring, Christine, "Drawing is another kind of language: recent American drawings from a New York Private collection," catalog, 1997
Trione, Vincenzo, "Sheinkman, poetic obsession," Il Mattino, July 26, 1997
Landi, Ann, "Site Specifics," Art News, April 1997, p.118
Athineos, Doris, "When Kramarsky Talks Collectors Listen: What kind of Art Does the Man Who Sold the World's Most Expensive Painting Collect?" Forbes, November 18, 1997
Paparoni, Dimetrio, "Redefined Abstraction," Tema Celeste, Autumn 1997
Brennan, Michael, "Mark Sheinkman at Morris Healy," Artnet.com, Autumn 1996
Melrod, George, "Special Report: Contemporary Art - New York City," Art and Antiques, Summer 1996
Schmerler, Sarah, " Mark Sheinkman," Time Out New York, June 26, 1996
Shimony, Jonathan, "New York Art Scene II," art vision, Winter 1995