Valerie Jaudon was born in Greenville, Mississippi, on August 6, 1945. She studied at the Memphis Academy of Art, Memphis, in 1965, as well as at the University of the Americas in Mexico City (1966-67) and at St. Martins School of Art, London (1968-69). She has been the recipient of several grants, including a Distinguished Alumni Award from the Mississippi University for Women, Columbus, (1999), a Merit Award from the American Society of Landscape Architects, Alabama Chapter, (1994), and a Painting Grant from the New York Foundation for the Arts (1992).
Jaudon has exhibited extensively in museums and galleries throughout the United States and Europe. Her work has recently been featured at the Stadel Museum, Frankfurt, Germany (Valerie Jaudon: Paintings and Drawings, 1980-1999), and at the Mississippi Museum of Art, Jackson (Abstraction at Work: Drawings by Valerie Jaudon 1973-1999). She has completed various public art commission, such as Long Division, for the MTA Lexington Avenue Subway, 23rd Street, New York City (1988), Reunion, at the Police Plaza / Municipal Building, New York, NY (1989), and Free Style, at the Equitable Building, New York, (1989).
Jaudon is represented in numerous museum collections, including the Museum of Modern Art, New York, the National Museum of Women in the Arts, Washington D.C., the Hirshhorn Museum and Sculpture Garden, Washington D.C., the Aldrich Museum, Ridgefield, CT, and the Fogg Art Museum, Cambridge, MA. She has been invited to numerous public panels, such at the DIA Center for the Arts, New York, and the The Art Institute of Chicago.
Jaudon lives and works in New York City.
1963-65 Mississippi University for Women, Columbus, MS
1965 Memphis Academy of Art, Memphis, TN
1966-67 University of the Americas, Mexico City, Mexico
1968-69 St. Martins School of Art, London, UK (post-graduate year in painting)
Prepositions, DC Moore Gallery, New York
Stations and States, Philip Slein Gallery, St. Louis, Missouri
Valerie Jaudon: Ways and Means, Von Lintel Gallery, Los Angeles, CA
Valerie Jaudon: Alignments, DC Moore Gallery, New York, NY
Valerie Jaudon, DC Moore Gallery, New York, NY
Valerie Jaudon: New Paintings, Von Lintel Gallery, New York, NY
Valerie Jaudon: White, University of Mississippi Museum, MS
Valerie Jaudon: Sight Reading, Von Lintel Gallery, New York, NY
Valerie Jaudon: Paintings, Von Lintel Gallery, New York, NY
Valerie Jaudon: New Paintings, Von Lintel Gallery, New York, NY
Valerie Jaudon: New Works, Von Lintel Gallery, New York, NY
Valerie Jaudon: Measure for Measure, Städel Museum, Frankfurt, Germany
Abstraction at Work: Drawings by Valerie Jaudon, 1973-1999,
Fine Arts Gallery, Mississippi Museum of Art;
Jackson Mississippi University for Women, Columbus, MS
Weatherbee House, Greenville Arts Council, Greenville, SC
Tupelo Artist Guild Gallery, Tupelo, MS
Wright Art Center Gallery, Delta State University, Cleveland, OH
University Museum, the University of Mississippi, Oxford, MS
The University of Southern Mississippi Museum of Art, Hattiesburg
Valerie Jaudon: Paintings on Paper, Betsy Senior Gallery, New York, NY
Valerie Jaudon: Representing Difference, Sidney Janis Gallery, New York, NY
Valerie Jaudon,
Wright Art Center Gallery, Mississippi Museum of Art, Jackson, Mississippi;
Delta State University, Cleveland, OH
Lauren Rogers Museum of Art, Laurel, MS
Mississippi University for Women, Columbus, MS
Valerie Jaudon: New Paintings, Gallery Camino Real, Boca Raton, FL
Valerie Jaudon: Recent Paintings, The Barbara Scott Gallery, Bay Harbor Islands, FL
Valerie Jaudon: Recent Paintings, Sidney Janis Gallery, New York, NY
Valerie Jaudon, Sidney Janis Gallery, New York, NY
Valerie Jaudon: New Paintings, Sidney Janis Gallery, New York, NY
Valerie Jaudon: New Paintings, Sidney Janis Gallery, New York, NY
Valerie Jaudon: Recent Paintings, Sidney Janis Gallery, New York, NY
Valerie Jaudon, Fay Gold Gallery, Atlanta, GA
Valerie Jaudon: Paintings and Drawings, McIntosh/Drysdale Gallery, Washington, DC
Valerie Jaudon, Sidney Janis Gallery, New York, NY
Valerie Jaudon, Quadrat Museum, Bottrop, Germany
Valerie Jaudon: New Masters, Amerika Haus, Berlin, Germany
Valerie Jaudon: Recent Paintings and Watercolors, Dart Gallery, Chicago, IL
Valerie Jaudon, Corcoran Gallery, Los Angeles, CA
Valerie Jaudon: New Paintings, Holly Solomon Gallery, New York, NY
Valerie Jaudon, Galerie Hans Strelow, Dusseldorf, Germany
Valerie Jaudon: Neue Bilder, Galerie Bischofberger, Zurich, Switzerland
Valerie Jaudon, Holly Solomon Gallery, New York, NY
Valerie Jaudon: Paintings, Holly Solomon Gallery, New York, NY
Valerie Jaudon: Paintings, Holly Solomon Gallery, New York, NY
Valerie Jaudon: Paintings, Pennsylvania Academy of Fine Arts, Philadelphia, PA
With Pleasure: Pattern and Decoration in American Art 1972-1985, Hessel Museum of Art, Bard College, Annandale-on-Hudson, NY
What We See, How We See. The Artist's hand: Circles, Squares, and Squiggles, Parrish Museum, Watermill, NY
The Radical Line, Heather James Gallery, Palm Desert California
Pattern and Decoration. Curator: Jan Elantkowski, Ludwig Museum, Budapest, Hungary
With Pleaure: Pattern and Decoration in Amrican Art 1972-1985, Museum of Contemporary Art, Los Angeles, CA
Less is a Bore: Maximalist Art and Design, Institute for Contemporary Art, Boston, MA
Pattern, Crime & Decoration, Le Consortium, Dijon, France
Talk to Me: 25th Anniversary Exhibition, Von Lintel Gallery, Los Angeles, CA
Method Order Metric, National Academy Museum, New York, NY
Ambitious, Von Lintel Gallery, Los Angeles, CA
A Graphite Exhibition, DC More Gallery, New York, NY
The Annual 2015: Redefining Tradition, National Academy Museum, New York, NY
Hooray for Hollywood, Pavel Zoubok Gallery, New York, NY
Abstractly Speaking: Painting and Sculpture from the Parrish Permanent Collection, Parrish Museum, Southampton, NY
If Winter comes can Sprting by far behind?, Stux Gallery, New York, NY
Paper Plus One, Von Lintel Gallery, New York, NY
Variations: Stephen Ellis, Arnold Helbling, and Valerie Jaudon, Philip Slein Gallery, St. Louis, MO
Columbia. Abstraction: A Dialogue Between Colombian and International Artists, Beatrice Esguerra Art, Bogata, Colombia
Lufonauten, Curator Anna Sophia Schultz, Ludwig Forum Internationale Kunst, Aachen, Germany
Conceptual Abstraction, Hunter College Times Square Gallery, New York, NY (catalogue)
White: the Anatomy of Color, The National Academy Museum, New York, NY
Matters of Fact, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY
Today's Visual Language: Southern Abstraction, a New Look, Mobile Museum of Art, Mobile, AL
Best of the South, Greg Thompson Gallery, Little Rock, AR
Pattern and Decoration, The National Academy Museum, New York, NY
Women in the Arts, Greg Thompson Gallery, Little Rock, AR
Suspended Disbelief, Von Lintel Gallery, New York, NY
Unfinished Paintings, LACE (Los Angeles Contemporary Exhibitions), Los Angeles, CA
"If you lived here, you'd be home by now," Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY
The Lincoln Center Vera List Art Project Exhibition, New York Design Center, New York, NY
Summer Group Show, Von Lintel Gallery, New York, NY
Pavers, Schroeder, Romero, and Shredder, New York, NY
New Visions: Contemporary Masterworks from the Bank of America Collection, Mint Museum of Art, Charlotte, NC
185th Annual: An Invitational Exhibition of Contemporary American Art, National Academy Museum, New York, NY
On the Wall/Off the Wall: Masterpieces from the Permanent Collection, Mississippi Museum of Art, Jackson, MS
TexasNeither Model nor Muse: Women as Artists, McNay Art Museum, San Antonio, TX
Inspiring Spaces: 25 Years of MTA Arts for Transit, New York Transit Museum, Brooklyn Heights, New York, NY
Summer Group Show, Von Lintel Gallery, New York, NY
Group Exhibition, Greenberg Van Doren Gallery, St. Louis, MO
American Art Since 1945: In a New Light, McNay Art Museum, San Antonio, TX
On Paper: The Lincoln Center/List Collection, UBS Art Gallery, New York, NY
Second Thoughts, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY
Revealed Anew: Selections from the Collection, The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY
Pattern and Decoration: An Ideal Vision in American Art, 1975-1985, Hudson River Museum, Yonkers, NY (catalogue)
Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection, Hessel Museum of Art,
Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY
The Mississippi Story, Mississippi Museum of Art, Jackson, MS (catalogue)
Claiming Space: Some American Feminist Originators, American University Art Museum, Washington, DC (catalogue)
Honored Women Artists of Mississippi: A Retrospective, Walter Anderson Museum of Art, Ocean Springs, MS
Berardo Collection, Arte Moderna E Contemporanea, Museu Coleccao Berardo, Lisbon, Portugal
Guild Hall Collects: Gifts in Honor of the 75th Anniversary, Guild Hall Museum, East Hampton, New York, NY
Ten Plus Ten: Revisiting Pattern & Decoration, The University Gallery, University of Florida, Tampa, FL
To Shanghai and Back, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, NY (catalogue)
Along the Way: MTA Arts for Transit, PaceWildenstein, New York, NY
Everything Black and White, Nathan A. Bernstein & Co., New York, NY
New Acquisitions, The McNay Art Museum, San Antonio, TX
City Art: New York's Percent for Art Program, The Center for Architecture, New York, NY
Along the Way: MTA Arts for Transit, UBS Art Gallery, New York, NY
The Downtown Show: The New York Art Scene 1974-1984, Grey Art Gallery and Fales Library, New York University, New York, NY;
The Andy Warhol Museum, Pittsburgh, PA; The Austin Museum of Art, TX (catalogue)
ZC Collections '05, Zone: Chelsea, New York, NY
The Faculty Exhibition, Hunter College Times Square Gallery, New York, NY
Residence of the Ambassador, United States Embassy, Prague, Czech Republic Contemporary American Art 2004-2009 (catalogue)
Small Works by Major Artists, Gallery Camino Real, Boca Raton, FL
Art for a Landmine Free World, PaceWildenstein, New York, NY
The LAPD Project: The Legacy of Pattern and Decoration, Shoshana Wayne Gallery, Santa Monica, CA
Painting in the 80s and 90s: Selected Works from the Maslow Collection, Everhart Museum, Scranton, PA
Selected American Graphic Prints from the Lincoln Center Collection, City Art Museum Ljubljana, Mestna Galerija 1, Ljubljana, Slovenia
Objektin ja arabaskin valissa/Patterns: Between Object and Arabesque, Porin Taidenmuseo, Pori, Finland
Zenroxy, Von Lintel Gallery, New York, NY
Too Much Joy: Re-visiting the Pattern and Decoration Movement, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on Hudson, NY
Circles, Cycles and Structures, Kent State University School of Art Gallery, Kent, Ohio
Personal and Political: The Women's Movement, 1969- 1975, Guild Hall Museum, East Hampton, NY (catalogue)
The National Museum of Women in the Arts Mississippi State Committee Honorees, Mississippi Museum of Art, Jackson, MS
From the States, National Museum of Women in the Arts, Washington, DC
Untitled: What's in a Name, Polk Museum of Art, Lakeland, FL
New Acquisitions: The Michael G. Grainger Collection, Tyler Museum of Art, Tyler, TX
Warped: Painting and the Feminine, Angel Row Gallery, Nottingham, UK; Middlesbrough Art Gallery, Middlebrough, UK;
Rugby Art Gallery
and Museum, Warwickshire, UK; Inside Space, London, UK
Pattern: Between Object and Arabesque, Kunsthallen Brandts Klaedefabrik, Odense, Denmark
Painting Abstraction, New York Studio School, New York, NY
Five: Kenneth Noland, Valerie Jaudon, Bruno Rousselot, Gwen Hardie, Rachel Howard, Lennon Weinberg Gallery, New York, NY
Pattern: Selections from the Maslow Collection, Everhart Museum, Scranton, PA
Together/Working, The Art Museum, University of New Hampshire, Durham, NH; Emily Lowe Gallery, Hofstra University,
Hempstead, NY;
Gallery of Contemporary Art, University of Colorado, Colorado Springs, CO
Calm and Commotion: Abstract Art from the Permanent Collection, Mississippi Museum of Art, Jackson, MS
Contemporary Issues, Enduring Vision: Selected Works by Women Artists from the Maslow Collection, Everhart Museum, Scranton, PA
Unrealities: Abstraction in Contemporary Printmaking, Zimmerli Art Museum, Rutgers University, New Brunswick, NJ
East Hampton Artists: Seen and Scene, Guild Hall Museum, East Hampton, NY
Twenty-Fifth Anniversary Exhibition, Galerie Camino Real, Boca Raton, FL
Drawing International, Galerie Simonne Stern, New Orleans, LA
Women, Women, Women: Artists, Objects, Icons, Greenville County Museum of Art, Greenville, SC (catalogue)
After the Fall: Aspects of Abstract Painting Since 1970,
Newhouse Center For Contemporary Art, Snug Harbor Cultural Center,
Staten Island, NY (catalogue)
Artists on Paper, Numark Gallery, Washington, DC
A Reversal of Scale, Turner & Runyon Gallery, Dallas, TX
Geometric Abstraction 1937 – 1997, Snyder Fine Art, New York, NY
Recent Acquisitions: A Selection, Lennon Weinberg Gallery, Mississippi Museum of Art, Jackson, MS
Five Contemporary Masters, Paris Kent Gallery, Kent, CT
Investigations: American Abstraction, Robert McClain & Co, Houston, TX
Preserving the Past, Securing the Future: Donations of Art 1987-1997, National Museum of Women in the Arts, Washington, DC
Four Collectors: Nineteenth and Twentieth Century Drawings and Works on Paper From the Collections of Richard Brown Baker,
Caroline Lerner Goldsmith,
Werner Kramarsky and Michael Rubenstein,
The Century Club, New York, NY
Abstraction 1996, Turner, Byrne & Runyon, Dallas, TX
Sign – Language, Polo Gallery, Edgewater, NJ (catalogue)
Faculty Exhibition, Hunter College Art Gallery, New York, NY
Women in Print, Tweed Museum of Art, University of Minnesota, Deluth, MN
Reconstructivism: New Geometric Painting in New York, Space 504, New York, NY
Re-Fab: Painting Abstracted, Fabricated, and Revised,
Contemporary Art Museum, University of South Florida, Tampa, FL;
Wolfson Galleries, Miami-Dade Community College, Miami, FL; Robert Hull Fleming Museum,
University of Vermont, Burlington, VT
Art in Route, The Museums at Stony Brook, New York, NY (catalogue); Paine Webber Art Gallery, New York, NY
American Abstraction: A New Decade, Southern Alleghenies Museum of Art, Loretto, PA
Rewriting History: The Salon of 1993, Montgomery Glasoe Fine Art, Minneapolis, MN
An American Homage to Matisse, Sidney Janis Gallery, New York, NY
Jours Tranquilles & Clichy, 40 Rue de Rochechouart, Paris, France; Tennisport Arts, Long Island City, NY
New Abstraction, Betsy Senior Gallery, New York, NY
BOMB Magazine Benefit, Fawbush Gallery, New York, NY
MFA Faculty Artists' Exhibition, Hunter College Art Gallery, New York, NY
Italy-America: Abstraction Redefined, The National Gallery of Modern Art of the Republic of San Marino, San Marino, Italy (catalogue)
Studio to Site: Public Art in New York City, Sidney Mishkin Gallery, Baruch College, New York, NY
Shades of Difference: The Feminine in Abstract Painting, Sandra Gering Gallery, New York, NY
American Figuration from the Lilja Collection, Henie-Onstad Art Centre, Hovikodden, Norway (catalogue)
Art Dealers Collect Art, Tel Aviv Museum of Art, Tel Aviv, Israel
Who Framed Modern Art or the Quantitative Life of Roger Rabbit, Sidney Janis Gallery, New York, NY (catalogue)
Poets/Painters Collaborations, Brooke Alexander Editions, New York, NY
Masterworks of Contemporary Sculpture, Painting and Drawing: The 1930s to the 1990s, Bellas Artes, Santa Fe, NM
Geometric Perspectives, Museum of Modern Art Advisory Service, New York, NY
Conceptual Abstraction, Sidney Janis Gallery, New York, NY
Concept-Decoratif, Anti-Formalist Art of the 70s, Nahan Contemporary, New York, NY
White Columns Twentieth Anniversary Benefit Exhibition, White Columns, New York, NY
Grids, Vrej Baghoomian Gallery, New York, NY
Painting: Between Awareness and Desire, Cyrus Gallery, New York, NY
Painting Between Paradigms: Between the Sacred and the Profane, Galerie Rhamel, Cologne, Germany
Making Their Mark: Women Artists Move into the Mainstream 1970-85, Cincinnati Art Museum, Cincinnati, OH; New Orleans Museum of Art, New Orleans, LA; Denver Art Museum, Denver, CO; Pennsylvania Academy of Fine Art, Philadelphia, PA (catalogue)
A Debate on Abstraction, City Gallery, Leubsdorf Art Gallery, Hunter College, New York, NY
Projects and Proposals, Department of Cultural Affairs, New York, NY (catalogue)
New Acquisitions, Dayton Art Institute, Dayton, OH
Art Against AIDS Benefit Exhibition, Phyllis Kind Gallery, New York, NY
Friends of L.T.D ., Paris Kent Gallery, Kent, CT
Hamptons in Winter, Gallery International 52, New York, NY
Generations of Geometry, Whitney Museum of American Art at Equitable Center, New York, NY
Gold, Maloney Gallery, Santa Monica, CA
Inaugural Exhibition 1987,
Helander Gallery, Palm Beach, FL
Amerikanskt 80-Tal, Neue Galerie, Sammlung Ludwig, Aachen, Germany
Art from the City University of New York: Approaches to Abstraction, Shanghai Exhibition Center, Shanghai, China (catalogue)
Poetry Project Benefit and Auction, St. Mark's Church, New York, NY
National Women Artists, Lee Gallery, College of Architecture, Clemson University, Clemson, SC
Happy, Happy, Phyllis Kind Gallery, New York, NY
Frederick R. Weisman Art Foundation, American Center, Paris, France
Traveled to Museo Calouste Gulbenkian, Lisbon, Portugal; Musee d'Art et d'Histoire, Fribourg, Switzerland;
Centre National des Artes Plastiques, Paris,
France
HomoDecorans, Louisiana Museum, Humlebaeck, Denmark
Geometric Abstractions: Selections from a Decade, 1975 – 1985, Bronx Museum of the Arts, Bronx, New York, NY
Celebration 1977-1985, McIntosh/Drysdale Gallery, Washington, DC
Women Artists Exhibition, The Palladium, New York, NY
This Way /That Way, Thorpe Intermedia Gallery, Sparkill, New York, NY (catalogue)
American Art: American Women, Stamford Museum, Stamford, CT
American Abstract Painting, Margo Leavin Gallery, Los Angeles, CA
50 Artists / 50 States, Fuller Goldeen Gallery, San Francisco, CA
Arabesque: Grand Gestures in Painting, Sculpture and Decorative Arts, Bette Stoller Gallery, New York, NY
The Decorative Continues, Pam Adler Gallery, New York, NY
American Women Artists - Part II: The Recent Generation, Sidney Janis Gallery, New York, NY
Prints / Drawings, Getler/Pall/Saper, New York, NY
Eccentric Images, Margo Leavin Gallery, Los Angeles, CA
1+1=2, Bernice Steinbaum Gallery, New York, NY
Traveled: Boca Raton Museum of Arts, Boca Raton, FL
Abstract Painting Redefined, Louis Meisel Gallery, New York, NY
Traveled: Munson- Williams-Proctor Institute, Utica, New York, NY; Bucknell University, Center Gallery, Lewisburg, PA; The Fine Arts Center, State University of New York at Stony Brook, Stony Brook, NY
The Rothschild Bank of Zurich Collection, La Jolla Museum, La Jolla, CA
(catalogue)
New Image/Pattern and Decoration, Kalamazoo Institute of Arts, Kalamazoo, MI;
Madison Art Center, Madison, WI; University of Chicago, Chicago, IL;
Flint Institute of Arts, Flint, MI; University of Rochester, New York, NY
New Work by Basquiat, Fahlstrom, Jaudon, Mangold, Marisol, Ryman, Segal, Wesselmann, Sidney Janis Gallery, New York, NY
Ornamentalism, Hudson River Museum, Yonkers, NY; University of Texas, Austin, TX
New Decorative Art , Berkshire Museum, Pittsfield, MA
Art Today,Ward Gallery, Rochester, New York, NY
American Art at Ryhav e, American Embassy, Copenhagen, Denmark (catalogue)
On the Leading Edge - Cross Currents in Contemporary Art of the Eighties, The General Electric Corporate Art Collection, Fairfield, CT
An Historical Overview, Holly Solomon Gallery, New York, NY (catalogue)
A Look Back - A Look Forward, Aldrich Museum, Ridgefield, CT
(catalogue)
Gallery Group Show, Holly Solomon Gallery, New York, NY
Aspects of Post-Modernism, Fay Gold Gallery, Atlanta, GA
A Private Vision: Contemporary Art. From the Graham Gund Collection, Museum of Fine Arts, Boston, MA (catalogue)
The Spirit of Orientalism, Neuberger Museum, State University of New York at Purchase, Purchase, NY
Graphics Plus, Herbert F. Johnson Museum, Cornell University, Ithaca, NY; Burchfield Center, State University of New York
College at Buffalo,
Buffalo, NY; Rochester Institute of Technology, Rochester, NY
New Directions, Sidney Janis Gallery, New York, NY; Museum of Art, Ft. Lauderdale, FL; Oklahoma Museum of Art,
Oklahoma City, OK; Santa Barbara Museum of Art, Santa
Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI;
Madison Art Center, Madison, WI
The Decorative Image, McIntosh/Drysdale Gallery, Washington, DC
The Pattern Principle, Ohio University, Lancaster, OH; Indiana University Art Gallery, Bloomington, IN
Art for ERA, Zabriskie Gallery, New York, NY
Out of New York, Root Art Center, Hamilton College, Clinton, New York, NY
U.S. Art Now: Aktuella tendenser im amerikansk konst,
Nordiska Komaniet, Stockholm, Sweden; Goteborg Konstforening,
Goteborg, Sweden
Aspects of Printmaking in the 70's, State University of New York at Plattsburgh. Myers Fine Art Gallery, Plattsburgh, NY
Aspects of Post Modernism: Decorative and Narrative Art, Squibb Gallery, Princeton, NJ
Pattern Painting, South Hill Park Arts Centre, Bracknell, Berkshire, UK
Dekor, Mannheimer Kunstverein, Mannheim, Germany; Amerika Haus, Berlin, Germany; Museum of Modern Art, Oxford, UK
Pattern Painting/Decoration Art, Galerie Modern Art, Vienna, Austria
Décor, Greenberg Gallery, St. Louis, MO
Les Nouveaux Fauves-Die Neuen Wilden, Neue Galerie, Sammlung-Ludwig, Aachen, Germany
New York Pattern Show, Merwin Gallery, Illinois Wesleyan University, Bloomington, IN
Seven Young Americans, Sidney Janis Gallery, New York, NY
The Morton Newman Family Collection, The National Gallery, Washington, DC; The Art Institute of Chicago, Chicago, IL
Islamic Allusions, The Alternative Museum, New York, NY
Secular-Rituals-Sacred, St. Peters Church, New York, NY
Decoration, San Francisco Art Institute, San Francisco, CA
Prints, Museum of Modern Art, Penthouse Exhibition, New York, NY
Drawings, Leo Castelli Gallery, New York, NY
Black and White, Thomas Segal Gallery, Boston, MA
Aperto 80, Venice Biennale, Venice, Italy
Black and White are Colors: Paintings of the 1950's - 1970's, Lang Art Gallery, Claremont College, Claremont, CA
Pattern Plus, Dayton Art Institute, Dayton, OH
Patterning Painting, Palais des Beaux-Arts, Brussels, Belgium
Small is Beautiful, Freedman Gallery, Albright College, Reading, PA; Bucknell University, Lewisburg, PA
Patterning and Decoration on Paper, Mayor Gallery, London, UK
Pattern, Galerie Liatowitsch, Basel, Switzerland
First Exhibition, Toni Birkhead Gallery, Cincinnati, OH
Summer Group Show, Holly Solomon Gallery, New York, NY
Pattern Painting, The American Center, Paris, France
Patterning and Decoration, Galerie Habermann, Cologne, Germany
Young Americans of the Eighties, Galerie Hans Strelow, Dusseldorf, Germany
Pattern Painting/Decoration Art, Galerie Krinzinger, Innsbruck, Austria
Traveled: Galerie Modern Art, Vienna, Austria
Collection Ludwig, Museum Modernerkunst, Palais Lichtenstein, Vienna, Austria (catalogue)
In the Realm of the Monochromatic, Susan Caldwell Gallery, New York, NY
Traveled: The Renaissance Society, University of Chicago, IL
Amerikanska Bilder, Galerie Leger, Malmo, Sweden
Art for Future Collectors, Holly Solomon Gallery, New York, NY
Pattern on Paper, Gladstone/Villani Gallery, New York, NY
Gold and Silver, Holly Solomon Gallery, New York, NY
Black and White on Paper, Nobe Gallery, New York, NY
Pattern and Decoration, Sewell Art Gallery, Rice University, Houston, TX (catalogue)
Decorative Art: Recent Work, Douglas College Art Gallery, Rutgers University, New Brunswick, NJ
Painting 1975-77, Sarah Lawrence College, Bronxville, New York, NY (catalogue)
Selections 1977, Aldrich Museum of Contemporary Art, Ridgefield, CT (catalogue)
Recent Acquisitions, Hirshhorn Museum & Sculpture Garden, Washington, DC
Pattern Painting at P.S.1, P.S. 1 Contemporary Art Center, Long Island City, NY
Patterning & Decoration, American Foundation for the Arts, Miami, FL
Painting 1975, 1976,1977, Contemporary Arts Center, Cincinnati, OH (catalogue)
Critics Choice 1976-77, Joe and Emily Lowe Art Gallery, Syracuse University, Syracuse, New York, NY
Traveled: Munson Williams-Proctor Institute, Utica, New York, NY
Patterning and Decoration, Galerie Alexandra Monett, Brussels, Belgium
(catalogue)
Summer Group Exhibition, Holly Solomon Gallery, New York, NY
Ten Approaches to the Decorative, Allesandra Gallery, New York, NY
New Work, Albright-Knox Art Gallery, Buffalo, NY
New Painters, New Work, Holly Solomon Gallery, New York, NY
Art Basel 1977: International Art Fair, Switzerland, Holly Solomon Gallery
76 Jefferson Street, Museum of Modern Art, New York, NY
Sonia Delaunay – Valerie Jaudon, Livingston-Learmonth Gallery, New York, NY
American Painting and Sculpture, Curated by Michael Rubenstein, Casa Thomas Jefferson, Brasilia, Brazil
A Change of View, Aldrich Museum of Contemporary Art, Ridgefield, CT (catalogue)
New York Today: Works on Paper, University of Missouri, Gallery 210, St. Louis, MO
Exhibition of Paintings by Senior Overseas Students, St. Martins School of Art, London, UK
Wagley, Catherine. “Resurgence of Resistance: How Pattern & Decoration Can Help Reshape the Canon.” Contemporary Art Review: la. March 1, 2020.
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Smith, Roberta. “A Dealer’s Eye, and Life: ‘Hooray for Hollywood!’ Recalls Holly Solomon’s Eye for Art.”
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Strasnick , Stephanie. “Dealer, Actress, Pop Icon: Homage to Holly Solomon.” Art News. January 7, 2014.
Fiori, Pamela. “Home Is Where the Art Is.” Modern Luxury: Manhattan. December 12, 2014
Pardo, Alejandro.. “Once a Year: The National Academy.” Arte Fuse Magazine. July 6, 2014.
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Klooz, Donan. Today's Visual Language: Southern 2012 Abstraction A New Look. Mobile: Mobile Museum of Art, 2012.
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Baldinger, Scott. "Dia-fied: Blinky & Co. at Beacon and Bard." Rural Intelligence, In the Galleries At the Museums (August 6, 2010).
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Wulffen, Thomas. "The Decorative Juncture: New Masters at the Amerika Haus Berlin." Der Tagesspiegel (October 5, 1983).
Broude, Norma and Mary D. Garrard. Feminism and Art History: Questioning the Litany. New York: Harper and Row, 1982.
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Rubinstein, Charlotte Streifer. American Women Artists: From Early Indian Times to Now. New York: Avon Books, 1982.
Stuart, Reginald. "The Return of Famous Natives to Greenville, Miss." The New York Times (May 4, 1982).
Tompkins, Calvin. "The Art World." The New Yorker (August 9, 1982).
Bright, Martin. Pattern Painting: Introduction. Berkshire, England: South Hill Park Arts Center, Bracknell, 1981.
Filler, Martin. "Good Golly Miss Holly." House and Garden (March 1981).
Gaugh, Harry. "Pattern Painting and New Image Art." New Directions. New York: Sidney Janis Gallery, 1981.
Hunter, Sam. "Aspects of Post-Modernism: Decorative and Narrative Art." New Directions. New York: Sidney Janis Gallery, 1981.
Glueck, Grace. "Reviews." The New York Times (May 1, 1981).
Hall, Jaqueline. "Visual Pleasure." Columbus Ohio Dispatch (September 1981).
Levin, Kim. "Art." The Village Voice (April 29, 1981).
Lewis, JoAnn. "Return to Splendor." The Washington Post (March 14, 1891).
Mallison, Constance. "Valerie Jaudon at James Corcoran." Images and Issues (Summer 1981).
Meyer, Ruth. The Pattern Principle. Lancaster: Ohio University, 1981.
Morgan, Robert C. "Abstract Painting: The New Pictorialism." New Directions. New York: Sidney Janis Gallery, 1981.
Perreault, John. "Mideast Pipeline." The SoHo News (January 14, 1981).
Phillips, Deborah C. "Review." ArtNews (November 1981).
Wilson, Judith. "Immigrating Ideas." The Village Voice (April 22, 1981).
Wilson, Williams. "The Galleries: La Cienega Area." The Los Angeles Times (January 14, 1981): Part IV, 2.
Alinovi, Francesca. "Quel che piace a me, Dedicato Alloway Post-Moderno." Flash Art (Summer 1980).
Albright, Thomas. "No Matter What It's Called It's Decorative." Datebook (October 21, 1980).
Atkins, Robert. "Decorative Inclinations." Bay Guardian (October 1980).
Auffermann, Verena. "Diebstahl ohne Reu." Rhein-Neckar-Zeitung (January 19/20, 1980)
Bourdon, David. "Art." Vogue (November 1980).
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Carboni, Massimo. "Decorazioni: Lettura in Margine." Segno (November/December 1980).
Carmean, E.A. American Abstraction and Decorative Painting: The Morton Neumann Family Collection.
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Frank, Peter. "What's Happening in Contemporary Art." Diversion (April 1980).
Giessler, Ursula. "Amerikas Muster-Maler." Saarbrucker Zeitung (February 4, 1980).
Glueck, Grace. "Redefining the Whole Relationship Between Art and Society." ArtNews (October 1980).
Glueck, Grace. "Women Artists." ArtNews (October 1980).
Godfrey, Tony. "Dekor: The Marriage of Squalor and Reason." Art Monthly (April 1980).
Goslig, Nigel. "Pop Goes Decoration." The Observer (May 4, 1980).
Haley, Michael. "Pattern Painting: New Art for a New Decade." Sky (July 1980).
Hartmann, Horst. "Pattern Art in Mannheimer Kunstverein." Darmstadter Echo (January 19, 1980).
Hegewisch, Katharina. "Hermann Hesse Geist der Duft der Raucherstaebchen." Frankfurter Allegemeine Zeitung (February 4, 1980).
Herchenroder, Christian. "Aus den Galarien." Handelsblatt (March 29, 1980).
Herchenroder, Christian. "Aus Den Galerien." Amtliche Bekanntmachungen (January 15, 1980).
Januszczak, Waldemar. "The Dilligent Search for Spontaneous Bad Taste." Arts Guardian (May 6, 1980).
Karden, Janet. "One Hundred Selected Sites. Urban encounters: Art, Architecture, Audience."
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Kingsley, April. "Introduction: Islamic Allusions." New York: The Alternative Museum, 1980.
Kramer-Badoni, Rudolph. "Kein Adel fur den Kitsch." Die Welt (January 1980).
Kramer, Hilton. "Art: Seven Young Americans." The New York Times (April 18, 1980).
Kunz, Martin. "The Development of Physical Action Into A Psychic Intensity of the Picture." Flash Art (June 1980).
Kupper, Anne. "Die Neuen Wilden." Baukultur Kunst (April 1980).
Larson, Kay. "Space Walk." The Village Voice (April 28, 1980).
Larson, Kay. "For the First Time Women Are Leading..." ArtNews (October 1980).
Loercher, Diana. "When Is It Art? When Is It Crafts?" Christian Science Monitor
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Marx, Heike. "Kunst in der Nahe von Kitsch." Die Rheinpfalz (January 16, 1980).
Radice, Barbara. "Superfici, equipotenziale, piacevoli, dipinte." Moda (September 1980).
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Rickey, Carrie and Kay Larson. "In Critical Condition: A Double Take on Clement Greenberg." The Village Voice (April 21, 1980).
Rickey, Carrie. Decor and Ornamentation an Introduction. Germany: Dekor Mannheimer Kunstverein Mannheim, 1980.
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Schwarze, Dirk. "Ornament und Farbe." Rheinische Post (April 15, 1980).
Schwarze, Dirk. "Ubefangene Kunst." Rheinische Post (January 5, 1980).
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Wykes-Joyce, Max. "Americans in London." The International Herald Tribune (May 1980).
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Bongard, Dr. William. "Pattern Painting." Archetekture & Wohnen (February 1979).
Bongard, Dr.William. "Sammler der ersten Stunde Machten doppeltes Geld." Welt Kunstmarkt (September 1979).
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Boudaille, Georges. "Pattern Painting." Connaissance des Arts (September 1979).
Dobson, Rona. "Brussels: Pattern Painting." International Herald Tribune (February 10, 1979).
Frank, Peter. "Where is New York." Art News (November 1979).
Houk, Pamela. "Pattern as Art." Pattern Plus. Dayton, Ohio: Dayton Art Institute, 1979.
Meister, Helga. "Junge Kunst aus den USA." Duesseldorfer Machrichten (December 13, 1979).
Perrault, John. "The New Decorativeness." Portfolio (June/July 1979).
Perrault, John. Patterning Painting. Brussels, Belgium: Palais des Beaux Arts, January 18-February 18, 1979.
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Strickler, Madeline and Keller, Dominik. "Atelierbesuche." Du, The Art Magazine (June 1979).
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Frank, Peter. "Pattern Painting PS1." Art News (February 1978).
Goldin, Amy. "The Body Language of Pictures." ArtForum (March 1978).
Keating, Douglas. " Design for Ceiling Has Her up in the Air...About 35 Feet Up." Philadelphia Inquirer (August 24, 1978).
Moser, Charlotte. "Pattern Show a Top Exhibition of the Season." Houston Chronicle (November 3, 1978).
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Senie, Harriet. "Geometric Art Shines." New York Post (November 20, 1978).
Who's Who in American Art. New York: R.R. Bowker Company, Jaques Cattell Press, 1978.
Brown, Ellen. "Painting 75/76/77 at CAC Is A Must To See." Cincinnati Post (August 13, 1977).
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Perreault, John. "More Patterns." SoHo Weekly News (May 5-11, 1977).
Perrone, Jeff. "Review." ArtForum (September 1977).
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Frank, Peter. "New York Reviews." Artnews (Summer 1975).
Thomas F. Eagleton Courthouse, St. Louis, MO
Federal Courthouse, Jacksonville, FL
Stadel Museum, Frankfurt, Germany
Citicorp Building, New York, NY
Washington National Airport, Washington, DC
Birmingham Museum of Art, Birmingham, AL
Laboratory Science Building, Staten Island College, New York, NY
Rudin Building, New York, NY
Atlanta City Hall, Atlanta, GA
Equitable Building, New York, NY
Police Plaza / Municipal Building, New York, NY
Private residence, Malibu, CA
Philadelphia Planned Parenthood Headquarters
MTA Lexington Avenue Subway, New York, NY
Philadelphia INA Building, 17th and Arch Streets
Nasher Museum of Art, Duke University, Durham, North Carolina
Vassar College, The Frances Lehman Loeb Art Center, Poughkeepsie, New York
Albright Knox Art Gallery, Buffalo, NY
Aldrich Museum, Ridgefield, CT
Marieluise Hessel Collection, Center For Curatorial Studies, Bard College, Annandale-on-Hudson, NY
Birmingham Museum of Art, Birmingham, AL
Dayton Art Institute, Dayton, OH
Frederick R. Weisman Art Foundation, Los Angeles, CA
Fogg Art Museum, Cambridge, MA
Greenville County Museum of Art, Greenville, SC
Guild Hall Museum, East Hampton, NY
Hirshhorn Museum and Sculpture Garden, Washington, DC
Indiana University Art Museum, Bloomington, IN
Indianapolis Museum of Art, Indianapolis, IN
Jane Voorhees Zimmerli Art Museum, Rutgers University, Brunswick, NJ
Louisiana Museum, Humlebaek, Denmark
Ludwig Museum, Budapest, Hungary
Mississippi Museum of Art, Jackson, MS
Museum of Modern Art, New York, NY
Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria
Museu de Arte Moderna, Berardo Collection, Lisbon, Portugal
National Museum of Women in the Arts, Washington, DC
Orlando Museum of Art, Orlando, FL
Polk Museum of Art, Lakeland, FL
Parrish Art Museum, Southampton, NY
Princeton University Art Museum, Princeton, NJ
Sammlung Ludwig Museum, Aachen, Germany
Städel Museum, Frankfurt Germany
Saint Louis Art Museum, St. Louis, MO
Tyler Museum of Art, Tyler, TX
University of Mississippi Museum, Oxford, MS
Whitney Museum of American Art, New York, NY
Yale University Art Gallery, New Haven, CT
Smith College Museum of Art, Northampton, Massachusetts
Frederick R. Weisman Art Foundation, Los Angeles
Bard College, Marieluise Hessel Collection, Center For Curatorial Studies, Annandale-on-Hudson, New York