Joseph Stashkevetch

Joseph Stashkevetch

Joseph Stashkevetch Drawings

Joseph Stashkevetch Joseph Stashkevetch Joseph Stashkevetch Joseph Stashkevetch Joseph Stashkevetch Joseph Stashkevetch Joseph Stashkevetch
Joseph Stashkevetch Joseph Stashkevetch Joseph Stashkevetch Joseph Stashkevetch

Joseph Stashkevetch Exhibition 2009

Joseph Stashkevetch Joseph Stashkevetch Joseph Stashkevetch Joseph Stashkevetch Joseph Stashkevetch Joseph Stashkevetch

Joseph Stashkevetch Exhibition Views 2005

Joseph Stashkevetch Joseph Stashkevetch Joseph Stashkevetch

Joseph Stashkevetch Exhibition Views 2009

Joseph Stashkevetch Joseph Stashkevetch Joseph Stashkevetch

 

Joseph Stashkevetch Biography

Joseph Stashkevetch, born in New Jersey in 1958, received his academic training at the Rhode Island School of Design, Providence (1976-1980).

 

Stashkevetch has exhibited both nationally and internationally and his work is found in numerous public collections, such as the Whitney Museum of American Art, NY, the Dallas Museum of Art, the Houston Museum of Art, the San Francisco Museum of Modern Art, the Hallmark Collection, and the Ulrich Museum of Art, Wichita, Kansas.

 

Joseph Stashkevetch's work has been reviewed and/or featured in countless publications including the New York Times, New York Magazine, Time Out, the New Yorker and Art on Paper and a review of his most recent exhibition at Von Lintel Gallery appeared in the January 2010 issue of Art in America.

 

The artist lives and works in New York City.

 

Joseph Stashkevetch Selected Reviews and Publications

2010

Decker, Elisa, Review: Joseph Stashkevetch, Von Lintel Gallery, Art in America, January, p. 116, ill.

2009

Book: Rockman, Deborah, Drawing Essentials: A Guide to Drawing from Observation, published by Oxford University press, ill. cover, preface and p. 69

2006

Oksenhom, Stewart, Top Drawer: Joseph Stashkevetch, Aspen Times Weekly, December 30, 2006, p. 35

2005

Haber, Nick, Abstract Gallery-Going, Fall 2005: Jules, Olitski, Neil Welliver, and After,
Channeling Abstraction: John Haber in New York City, http://haberarts.com/action05.htm.
Camellia: Joseph Stashkevetch, City Magazine, December 2005, p. 160, 161, illustrated
Joseph Stashkevetch, The New Yorker, November 14, 2005
Joseph Stashkevetch, The Village Voice, NYC Guide: Art, November 2005.
Roesler, Cate, Nature and art go hand in hand, The Daily Telegram, Nov. 11, 2005, p. A5
Fliehende Schönheit, Joseph Stashkevetchs missratene Blumen, DIE WELT.de, Samstag, 29. Januar 2005, Seite 23

2004

sanis, Nick, Super Sized, Drawn to Completeness, The Detroiter, December 10
Bolleber, Luise, Talent Covers Walls, The Oakland Post, December 1, p. B3

2004

Stafford, Nicole, Size Matters, Exhibit Speaks to the Power of Drawing, Filter, November 18,
Carducci, Vince, Plus-sized Art, Larger than life-sized drawings at Meadow Brook, Metrotimes, November 17-23, p.33
del Valle, Robert, Stage and Canvas (much, much better than reality TV), Real Detroit Weekly, November 10-16, p. 10
Bulka, Douglas, Supersized, Drawn to Completeness, Meadow Brook Art Gallery, Oakland University, catalogue p. 42-47, illustrated
Reedings, Harper's Magazine, March, p. 20 (illustration)
Estersohn, Pieter, Acquired Taste, Elle Décor, March, p.122
Colman, David, Craig's List, Elle Décor, no. 104, Dec/Jan, p. 134 - 139.

2003

Phillips, Ian, Orient Obsessed, Elle Décor, no. 102, October, p.204-209
Thornburg, Barbara. Track Star, Los Angeles Times Magazine, September 28, p. 54 - 59.
Preskill, Adam. Joseph Stashkevetch, Baldwin, Aspen, ARTnews, vol. 102, no. 6, June
Preskill, Adam. The Illusion of Art, Aspen Daily News, Thursday, January 30.

2002

Feist, Silvia, Ganzvolle Leistung, VOGUE Deutschland, March, p. 296 - 301.

2001

Owens, Mitchell, Gold Standard, Elle Decor, October, p. 252
Thomas, Kelly Devine, Living with Art, Mary McFadden's Odyssey, ARTnews, vol. 100, no. 10, November, p. 120 - 122

2000

Working Proof, Joseph Stashkevetch, Art on Paper, vol. 4, no. 6, July–August, p.55

1999

Lewis, Julia. Wall to Wall, INTERIOR DESIGN, vol. 70, no. 10, August, p. 154 - 159.
Ashton, Dore, Grand Illusion, INTERIORS, March, p. 97- 98.

1998

Weinstein, Joel, Joseph Stashkevetch, Turner and Runyon Gallery, Artlies, Winter 1998
Rees, Christina, Heavy Metal, Abstraction doesn't take the bite out of those creepy machines, The Dallas Observer, November 4
Harris, Elise, Industrial Art, OUT, October, p.28
Szabo, Julia, Lofty Vision, Elle Decor, no. 61, August/September
Homophile, July
San Francisco Magazine, April

1997

Humphrey, David, New York Fax, Art Issues, November
Johnson, Ken, Art Guide: Joseph Stashkevetch, The New York Times, September 26
Schmerler, Sarah, Joseph Stashkevetch, 'Passage', Morris Healy, Time Out New York, no. 104, September 18-25
Cohen, Mark Daniel, Joseph Stashkevetch, Passage, Review, September 15
Time Out New York, August 28-Sept. 4
Blanckaert, Marie-Claire, Au Palais Royal, Une Leçon de Sobrieté, Elle Decoration, no. 73, September, p. 98 - 103
Boxer, Sarah, The Glory That Was Brooklyn and the Grandeur That Was Manhattan, The New York Times, March 28

1996

Blanckaert, Marie-Claire, A Paris, Un Espace Taille Sur Mesure, Elle Decoration, no. 65, September 1996, p. 76 - 79.

1995

New York Magazine, September 25
New Yorker, September

1992

Elle Decor, October/November

1991

Fisher, Thomas, The World Bank, Progressive Architecture, January, p. 106
Independent Curators Incorporated, New York, Catalog, 1991

1988

Grange-Bary, Christine, Les Mitres de _illusion, Maison et Jardin, no. 345, July/August
McFadden, Mary, Mary McFadden's Jewel Box, Architectural Digest, September

 

 

 

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