Von Lintel Gallery is pleased to announce Miles Regis: Just Like Us, the artists third solo exhibition with the gallery. The following essay was written by Shana Nys Dambrot.
Miles Regis: Just Like Us
Miles Regis is a prolific and multifaceted talent, with an expansive practice that reaches across fine art, fashion design, social activism, music, and technology. But the foundation of his signature style is his vibrant, gestural, and materially witty mixed media technique, incorporating textile collage into complex, opulent, majestic, and emotionally charged portrait paintings. Using acrylic, oil, and spray paint alongside the fabric, wallpaper, paper, leather, and sequins, Regis achieves painterly, gestural moments within the compositions, often adding text to gently amplify and direct attention towards his messages.
With perennial influences from his childhood in Trinidad ranging from masquerade culture to matriarchal power, ancestral guidance, and the unsinkability of a joyful community, Regis engages contemporary issues of racial and social justice from his point of view as a Black immigrant in America. This topicality gained urgency during the 2020 movement for racial justice and remains as resonant as ever in the present political climate. But true to his roots, Regis has chosen once again to meet the perilous moment with poetry, reframing an era of ugliness and division as an opportunity to rediscover the beauty of life and our shared humanity. It’s not accidental that Regis has chosen collage as the primary directive for this work, as it is quite literally built from pieces of everything, sourced from around the world and across generations, and forged by empathetic attention into a whole greater than the sum of these parts. This work not only depicts humans, it is made the same way we are made — by gathering and remembering the pieces of all that came before us, making each of us both unique and interconnected.
In Just Like Us, Regis offers a collection of individual and group portraits in which young people and mature women stand firm in their power or delight in friendship — each one a character study of a loved one, a public figure (yes, that is Kamala Harris in Unity - We Not Going Back), or an ancestral spirit close to the artist’s heart. Furthermore, his elaboration on the exquisite potential of the collage dynamic yields almost magical results — rendering a spectrum of skin tones and a topographical embodiment of amazing hair styles with metonymic fabrics and a wry humor. For example, the use of black patent leather as skin in the tableau Respect Yourself, the queenly crown of locks on Bohemian Girl that even Beyonce would envy, and the winsome fall of blonde braids on the white girl ally, bless her, in 70's Movie Poster (Live, Love, Feel, Vote!). The exhibition’s eponymous title piece forms a kind of cornerstone for the whole collection, containing examples of every single one of his techniques, materials, mediums, and characters — with women and queer folk lovingly centered, like a class photo of the coolest generation ever.
—Shana Nys Dambrot
Los Angeles, 2024
Miles Regis has work in public collections such as the Smithsonian National Museum of African American History, the Californian African American Museum, the North Dakota Art Museum, the Intel Corporation and other notable private collections such as The Bunker Art Space, Halle Berry, Mariah Carey, Spike Lee and Russell Westbrook to name a few. Regis lives and works in Los Angeles.
For additional information or visual material please contact the gallery by email at gallery@vonlintel.com.
Miles Regis, Unity - We Not Going Back
2024
Acrylic, Fabric and spray paint on canvas
54 x 35.5 inches (137.2 x 90.2 cm)
MAR 24 83
$17,000
Miles Regis, Upside Down
2024
Fabric on canvas
39 x 28 inches (99.1 x 71.1 cm)
MAR 24 82
$10,000
Miles Regis, Sassy Sis
2024
Oil stick, acrylic, Paper, leather and fabric on canvas
43 x 34.5 inches (109.2 x 87.6 cm)
MAR 24 80
$15,000
Miles Regis, Lover For Life
2024
Oil, acrylic, leather, wallpaper and fabric on canvas
58 x 58 x 5 inches (147.3 x 147.3 x 12.7 cm)
MAR 24 79
$30,000
Miles Regis, When The Sun Comes Out
2024
Acrylic, spray paint and fabric on canvas
47 x 43.5 inches (119.4 x 110.5 cm)
MAR 24 78
$18,000
Miles Regis, Just Like Us
2024
Acrylic, spray paint, fabric, leather, paper and oil stick on canvas
47 x 43.5 inches (119.4 x 110.5 cm)
MAR 24 76
$18,000
Miles Regis, Fani Willis Vex Money
2024
Acrylic, spray paint, fabric, leather, paper and oil stick on canvas
58.5 x 33 inches (148.6 x 83.8 cm)
MAR 24 75
$18,000
Miles Regis, Bohemian Girl
2024
Acrylic, fabric, wallpaper and paper on canvas
43.5 x 26 inches (110.5 x 66.0 cm)
MAR 24 74
$11,000
Miles Regis, Because I'm Bae
2024
Acrylic and fabric on canvas
48 x 48 inches (121.9 x 121.9 cm)
MAR 24 73
$20,000
Miles Regis, Hey Siri play 'Ain't No Stopping Us Now'
2024
Oil, acrylic, leather, spray paint, wallpaper and fabric on canvas
30 x 40 inches (76.2 x 101.6 cm)
MAR 24 72
$12,000
Miles Regis, 70's Movie Poster (Live, Love, Feel, Vote!)
2024
Acrylic, spray paint and fabric on canvas
43.75 x 30 inches (111.1 x 76.2 cm)
MAR 24 71
$13,000
Miles Regis, 7even
2024
Fabric and leather on canvas
25.5 x 31.5 inches (64.8 x 80.0 cm)
MAR 24 70
$8,000
Miles Regis, Respect Yourself
2024
Fabric on canvas
38 x 41 inches (96.5 x 104.1 cm)
MAR 24 69
$15,000
Miles Regis, Lipstick Lime
2024
Fabric, acrylic and spray paint on canvas
44 x 32.5 inches (111.8 x 82.5 cm)
MAR 24 68
$15,000
Miles Regis, A Love Mirage
2024
Oil, acrylic, fabric, wallpaper, spray paint, and leather on canvas
41.25 x 31 inches (106.7 x 81.3 cm)
MAR 24 66
$12,000
Von Lintel Gallery
2525 Michigan Avenue, Unit A7
Santa Monica, CA 90404
gallery@vonlintel.com
Gallery Hours:
Wednesday - Saturday
from 12am until 6pm